Latency was extremely low thanks to the solid drivers, and recording results predictably clean and clear thanks to the 24-bit, up to 192kHz converters. It needs to be running on the computer to accept input from an iOS device connected to the same wireless network, but this worked seamlessly in my tests, and it’s an excellent way to configure and unlock the power of the hardware while still maintaining a simple set of actual physical controls on the box itself. It’s compatible with Focusrite’s excellent Control app for Mac, PC, iPhone and iPad, which lets you set up routing and other parameters in software.
A handy Loopback feature is included so you can now access a pair of virtual loopback inputs which allows you to capture a stereo feed of any combination of hardware input and software playback channels - useful for podcasting, live streaming and sampling of audio without lots of cabling. This is always useful since it allows you to feed someone a monitor mix while also listening on your own headphones, when recording with open mics. There’s a large monitor dial and dual headphone outputs, each with independent level controls. Backlit indicators also show you modes like instrument, pad and air, and MIDI activity. There are gain controls with halo level meters which I like, not least because they are very compact, and switchable phantom power.
Inside are two new 3rd gen Scarlett mic preamps, and these now have an Air switch for adding a little high-end sparkle when recording, which is particularly good for vocals. The front panel is simply laid out, with two combo input jacks that can accept line or XLR plugs. On the rear panel you’ll also find 4x line outs and 4x line ins with jack sockets, 1x1 MIDI I/O DIN ports and S/PDIF I/O. So this is a good call I think - you will be able to use a C>C cable if you like, or the C>A cable if your machine is a little older.
Indeed, my 2013 MacBook Pro doesn’t have it, but is still a powerful music machine.
Focusrite says this is because its research found most people still haven’t completely transitioned to USB-C. Connectivity is via USB though there’s a twist here - the port on the unit is USB-C but the bundled cable is USB-C > USB-A. This is a choice that’s usually (though not exclusively) made by manufacturers when they want to prioritise performance over absolute convenience, since USB is only able to supply a limited amount of power. Where the 2nd gen powered over USB, these models use mains power via the bundled PSU. The 8i6 offers a great balance of small footprint, portability and features, although as ever, solo artists might only require one of the smaller models, and those with more advanced I/O needs could look at the 18i8, though I’m betting the 8i6 will be a good balance for many kinds of musicians and producers. The design is gorgeous, with a sleek red metal finish and excellent build quality.